More photos from downtown.

Confession time, I was actually trying to get a miniature effect from the top of this parking garage but I used the wrong aperture

One of those live and learn moments. Whih is also a good lesson, set your camera settings prior to arriving on location if you know you are there to achieve a specific shot or look. Sure, you should always check your settings anyway before shooting bu for some reason that day my brain had a short circuit

These first two once again represent a good example of a normal 24mm shot and then the same shot with the tilt/shift enabled. As you can see, it makes the dome much straighter than the normal 24mm shot (some of the normal 24mm shot might have been my fault having a sharp angle thus making the convergence seem that much more prevalent).

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This was a quick grab, would have loved to have spent more time with it, perhaps trying a HDR but I was pressed for time as it was. The coloring is just a little artistic PS license.

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This was using the tilt/shift to create some distortion, notice how elongated the dome of the capitol building is compared to the last shot.

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I went downtown to actually shoot this from afar but couldn’t resist visiting the grounds since it was such a nice day…more specifically a great cloud day.

I also wanted to take a few standard 24mm shots and then some from the same perspective with the tilt/shift to give you an idea of the kinds of things this lens can do.

With Tilt/Shift

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Without:

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With Tilt/Shift

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Without

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This (Austin’s 360 Bridge also known as Pennybacker Bridge ) is one of my favorite landmarks to photograph in Austin. The only problem is that I’ve never been there to take pics @ sunset or sunrise………………….definitely a cardinal sin for sure for any photographer.

I have no excuses really, it’s close enough to me that it shouldn’t be a problem, I have just never taken the time (many things are like that).

This was a rare instance of free time recently that I was able to break away from the house for a couple of hours with my new lens. I wanted to see what the TSE lens would do with the bridge.

The few shots I was able to include a boat in seemed to work well with the “mini” look

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The shots that included the bridge didn’t exactly make it mini but it seemed interesting enough. I think being as close to the bridge as I was though, I’d need a much further vantage point in order to miniaturize the bridge.

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I like the way the shoreline trees came out through,

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And here I got lucky with a Ryder truck on the bridge itself.

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Some more pictures from my Mt. Bonnell trip with my new lens. I was practically the only one there that morning but then again it would be far more popular at dusk when the sun is setting!

I’m sure the residents of the area love the traffic that the park shoots through their neighborhood. Don’t cry too hard for them as I’m sure most, if not all of them are multi-million dollar homes!

I think this first one is my favorite of the lot, including ones in previous posts. I think it shows to be a great example of the miniature look.

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I’ll go ahead and give you the short of it since the long of it might either bore and or confuse you to death. BUT, if you would like the full drop on this amazing lens, I highly recommend you check out this site, Canon TS-E 24mm f/3.5 L Tilt-Shift Lens Review.

There are 3 movements (tilt/shift/rotate) that this lens makes but tilt & shift are the ones I will focus on primarily (pun intended).

But Tim, you wonder, why would I want my lens to do any of those in the first place? Well, I’m glad you asked.

First the T of the T&S

T is for Tilt: by tilting (moving) the lens left or right you can put the lens at an angle to the focusing plane.

Ok great, but what does that mean exactly? Basically it gives you the utmost control over the DOF of your subject. That can work both ways, it can keep your subject in focus (and have a very broad DOF i.e. everything in focus) when there isn’t sufficient DOF.

By tilting in the other direction, you can retain selective focus on your subject and obtain a very shallow DOF (everything but your subject is out of focus).

I am of course a big fan of the shallow DOF:

S is for Shift: by shifting the lens (moving the lens up & down relative to the sensor plane) you can correct lens convergence; among other things.

The most common example of this would be shooting a tall building. Since your sensor plane is not parallel to the building, the farther away from the building your camera is the more the top of that building, the more it converges towards the center (i.e. the edges of the building lean towards the center). By shifting the lens you can make the entire structure straight, perpendicular to the camera.

Here is an example of shifting the lens that I shot a couple years ago when I rented this lens.

Taken with my regular Sigma 12-24mm lens:

and then “basically” the same shot with the Canon 24mm TSE with the shift function

The rotate function allow you to control the angle of the tilt or shift.

BUT WAIT! There’s more!!! Here is where it gets interesting.

If you use both the tilt and shift in conjunction with each other you can achieve shots that resemble miniature models.

I was unaware of this trick the first time I had the lens and I’ve only tried to replicate the effect one day thus far. I think the following are not great examples of the effect but it kind of gives you an idea of what you could do with it.